64GB internal beam drive and 2...
The XA10 Whizz Camcorder allows users to record up to 24 hours of clear high definition video to a 64GB internal gleam drive or to two SDXC-compatible memory slots. With Relay Recording, the camcorder automatically switches video recording from the internal spin to the SD...
JuicedLink CX231 2 XLR Input Camcorder Adapter/Preamp with 12/48V Phantom Power | |||||
Canon XA10 Professional Camcorder with 64GB Internal Flash Memory and Full Manual Control | |||||
Hosa XVM-110M Right Angle 3.5mm TRS to XLR3M 10 Ft | |||||
Panasonic Pro AG-DVC30 3-CCD MiniDV Camcorder w/16x Optical Zoom | |||||
 The Leica Dicomar lens is first in its class in wide-angle performance. |
 The advanced OIS system eliminates image befog caused by natural hand-shake. |
The AG-DVC30's advanced Optical Image Stabilizer (OIS) compensates for hand shaking that occurs as you zap. A gyrosensor detects hand-shake and sends signals to a linear motor, which adjusts the lens to reparation. Because this process takes place prior to the CCD image capture (rather than in the downstream electronic processing), it essentially eliminates any effect of hand-shake on resolution and screen angle. The OIS can also be helpful when zooming or shooting in dim lighting.
1/4-Inch, 410,000-Pixel 3CCD Idea System: High Sensitivity, Low Noise
To ensure a level of picture quality suitable for professionals, the AG-DVC30 uses a 3CCD likeness system that delivers the highest sensitivity in its class. Its high S/N ratio and extremely low noise (in darker areas of a image) combines with high sensitivity to deliver excellent image quality even when shooting indoors under dim lighting. When shooting in sunlight or under flashing spotlights, this 3CCD system offers low smear.
 The AG-DVC30's 3CCD image system delivers high signal-to-noise correspondence and excellent image quality. |
12-bit A/D and RGB Gamma Processor
The AG-DVC30 features an A/D converter that uses the same 12-bit processing as air-quality camera-recorders. This, combined with an RGB gamma processor that uses Panasonic's unequalled gamma-curve function, helps assure high image-quality processing. In items, the AG-DVC30's A/D converter and RGB gamma processor are the same ones used in the popular AG-DVX100A, which has won acclaim as the industry's highest-spitting image-quality DV camera.
Movie-Simulation Mode
The AG-DVC30 can capture and reproduce images that are strikingly be like in tone to film images, thanks to Panasonic's unique Cine-Like gamma curve and a 30-frames-per-tick recording function that electronically interpolates interlaced images to create frames with no every now differences between fields. Settings for this mode are preset in the Movie-Like scene systematize.
High-Sensitivity Slow Shutter
The slow shutter function uses tiki accumulation to allow shutter speeds with frame rates reduced by half or more. The growth method provides bright-color images with less noise than those captured using regular gain-up, so you get the higher sensitivity needed for nighttime shooting without illumination. The slow shutter aim can also be used to obtain movie-like effects.
16:9 Widescreen Recording
The aspect correlation can be set to either 4:3 or 16:9 to accommodate wide-image recording. In 16:9 recording, you can first-class either letterbox or squeeze mode, giving you more possibilities in downstream editing and playback.
 An double shot using Zero Lux IR mode and featuring the date/time display. |
Zero Lux IR Configuration: Super Nighttime Shooting System
The AG-DVC30 is the world's first 3CCD camcorder to offer black-and-white recording in the drab using infrared light. This featre opens the door to a host of new possibilities in nighttime monitoring, observation, and news gathering. The built-in infrared light makes it possible to record at a detach of about 16 feet.
Professional Audio Quality with XLR Mic (Optional)
The AG-DVC30 comes equipped with a built-in stereo microphone. Adding the non-compulsory AG-MYA30G XLR adapter provides you with +48 V phantom mic and line input needed for news gathering. Featuring two XLR audio input terminals and informed about controls, the adapter lets you independently switch channel 1 or channel 2 to mic or line input, with each having its own "burning in the dark" level adjustment.
Audio Level Meters
Two color audio direct meters can be displayed in the viewfinder and LCD monitor, making it easy to check the signal as you record.
Full Coupй or Manual Shooting
Use the AG-DVC30 for either full auto or manual shooting. The Auto/Manual switch turns the four van functions--focus, shutter speed, iris and gain, and white balance--on and off as desired. Enchiridion focusing is controlled by the large focus ring. You can also switch between manual and auto converge by pushing the Focus button. For added convenience, one of the user buttons can be assigned to discover autofocus on and off.
3.5-inch Color LCD Monitor and Tilt-Up Viewfinder
The large 3.5-inch feel embarrassed LCD monitor rotates 270 degrees, making it easy to shoot at difficult angles, and the Replication mode makes it easy to record yourself. The display is bright, too, so even outdoors you get good visibility when using the LCD to oversee footage or to select settings from the menu. For added ease of use when taking low-angle shots, you also can joust the viewfinder 70 degrees upward.
Magnesium Alloy Chassis
Designed for professionals, the AG-DVC30 boasts the same ungiving magnesium alloy diecast chassis as do the DVCPRO broadcast models. This rigid wrapper protects the high-precision components from bumps and jolts, helps shield out interface, and provides the AG-DVC30 with the reliability and robustness needed for active field use.
Automatic Head Cleaning
The AG-DVC30 provides the same head-organization function as do the DVCPRO models. The white roller pad positioned to the right of the head cylinder cleans the noodle each time you load a tape, helping to minimize dropouts and head clogging.
IEEE 1394 Connection with Synchro Lock
An IEEE 1394-compliant 4-pin DV terminal makes it easy to upload facts from the AG-DVC30 or to dub footage onto a DV recorder. This terminal also features a new synchro lock function that lets you use the AG-DVC30 to remotely start and stop off an external DV device. Three recording modes help protect against mistakes: record onto outside recorder only, record onto both AG-DVC30 and external recorder, and begin external recording when the AG-DVC30 tape locks of hair.
Versatile Performance
Total mobility? Easy carrying? Or advanced audio specs? With the multistyle cope with, the choice is yours. Designed with the professional in mind, the AG-DVC30 introduces a new detachable handle that adds versatility by letting you use this compressed DV camera three different ways.
- Style 1: With handle detached, this super-laconic 3CCD camera fits easily into a bag or pack for highest mobility.
- Style 2: With supervise in place, the AG-DVC30 is easy to carry and easy to use, even when shooting at difficult angles.
- Style 3: With the unforced XLR adapter mounted on the handle, the AG-DVC30 has outstanding audio specs, plus the ability to add two apparent phantom mics or line inputs with "glow in the dark" level controls.
MiniDV Composition
The MiniDV format offers more precise image detail and color accuracy than was previously accomplishable with analog camcorders. The superior quality of digital video results from:
- Higher deliberation: Up to 530 lines of horizontal resolution on select models for sharper picture detail
- Mechanism color sampling: Preserves three times more color information than does analog VHS or S-VHS video, for brighter and truer colors
- Once in a while base correction: Stabilizes the picture, eliminating video jitters
- Error emendation: Fills in missing video data, providing seamless, professional-looking video
What's in the Box
Camera, finger, lens hood, lens cap, shoulder strap, AC cord, AV cables, DC cord, mobile, AC adapter, large eye cup, wireless remote control unit, Master Series record.
 Accessories included with the AG-DVC30. |
Customer Reviews
Modest, but sturdy - excellent low-light capabilityThis is a keen camera for the wedding videographer or other serious amateur or semi-professional. It's well built, has great guide control, and takes super video including good low-light performance. You will possibly want the external mic attachment, which lets you use professional microphones without additional adapters and timer processors. Now that the price is well below $2000, it's a great deal. One caveat: If you plan to shoot 16:9 dimensions, this is not the best choice. The Panasonic GS400 handles that much better, and at a lower price. (But the GS400 doesn't have the low-settle chops that the DVC-30 has - so you have to set your priorities.)Plusses:* Very good low light capability* Sturdy, metal firmness construction* Will take professional external microphones (with optional attachment)* Unbelievable B&W no-light competence with infrared (short range built into camera; medium range add-on IR light increases order...
A well-thought-of camera that captures great images
This is a higher-level camera for the money. Simple operation and well constructed. It has a "well built feel" to it and fits well in your management. The detail of the image is awesome, better than I hoped for. I'm very impressed with the 16x zoom, very nice and clean representative.Don't be fooled by the size of this camera, the quality of the image is beautiful. A lot of camera in a little bundle. It has 4 built in shooting settings for different situations. It has a low level light option that does a OK job of capturing the scene after dark.I gave it 4 stars because I didn't like the manual that it came with and the directions controlling for the iris and focus could have been made easier to access and use. The built in microphone does not indeed pick up the desired audio that well. I recommend picking up an external boom microphone or lapel mic system to supercede the built in mic depending on your industriousness.If you are in need of a firewire cable to...
Egregious Camera
While the Sony vx2100 does less ill in low light, this camera holds it's own very well. For the price, it's impossible to beat. Great picture rank, 3.5 inch LCD and solid build quality. Most cameras in this range still have the plastic firmness, but the magnesium alloy body on the AG-DVC30 is rugged and feels great. I've used it for regular kinsmen shooting and filming plays. So many choices on the manual settings. Can't say enough. Here's a great forum for it. http://www.camcorderinfo.com/bbs/f131
Beachtek DX-A2T "Tough" Dual XLR Compact Audio Adapter for all Camcorders. | |
Panasonic Professional AG-HMC40 AVCHD Camcorder with 10.6 MP Still and 12x Optical Zoom |
Canon 7d mark ii JuicedLink CX231 2 XLR Input Camcorder Adapter ...
Upper-class expenditure JuicedLink CX231 2 XLR Input Camcorder Adapter Preamp enables ally of on the brink audio signals to the 3. 5mm stereo input jack on your camcorder. Interface with expert condenser forceful microphones and sales pitch unchanging signals.
Panasonic Makes Big 3D Push With High-End Z10000 Camcorder ...
Panasonic today announced a intoxicated-end 3D camcorder that will be the first 3D camcorder to use the AVCHD Progressive video aspect (albeit in in 2D nab SOP). The dual-lens, six-sensor Panasonic HDC-Z10000 will suggest 1080p/60-fps recording, full directions target and iris tiller, lofty-end audio options, and enchiridion tiller to regulate the convergence theme of the lenses during 3D take. The new Panasonic camcorder packs in a couple of the callers’s 3MOS sensors–each one a congregation of three 1/4. In 2D status, the HDC-Z10000 offers slightly more robust optical stabilization, although you can enlist optical stabilization in both recording settings....
Camcorder Xlr Input | HD Update
The H4N Zoom has a XLR input a camera is recording video recorder via the XLR. The zoom of the path can be of interest to a video camera with a microphone … as any of the Canon FS, ZR, HF series camcorder … or even the Sony HDR-CX500 series. BUT if the camera is instructions command of audio upward (as the HV40), then you do not lack H4. You may thirst for an XLR adapter like the CX231 BeachTek juicedLink or DXA-6 so you can use microphones XLR, though …. Engineered for unambiguous, on target verbalize... Its o… 80W X 4 CHANNELS Yield POWER Spit DIN MOUNTING PLAYS MP3 & CD-R/RW Dividable FRONT PANEL MULTICOLOR LCD Unveil PLL SYNTHESIZED TUNER 24-Site PRESETS FRONT PANEL AUX INPUT In accord WITH...
Mcintosh Amplifiers: JuicedLink CX231 2 XLR Input Camcorder ...
Could not be more contented with this memorandum. It unequivocally is "low babel", I can't consider any at all, even with the book cranked. It supplies phantasm power, even 12V, which works improve for my Audio Technica mics, so I can take care of battery-operated. I use it with my Canon T2i unceasing Allurement Lantern (to disengage to cameras very clarion AGC). And what's greater, on their website, there's a business heap of undeniably edifying videos that helped me see my decidedness in not only buying this output, but mics and other things as well.
Your Questions
What are XLR inputs for a camcorder and how are they different/better than regular inputs?
XLR inputs are for the ally of high spec external microphones - apart from their shape the only other difference is that they care for power to the external microphone as well as being electrically configured to accept the high smooth out mike input.
What's a (relatively) cheap shotgun mic that works with a basic A/V input on a camcorder?
I have a Panasonic HDC-SD9 camera. No XLR input. I don't have the change to get a converter and and XLR-capable shotgun mic. I have around $140 I'm able to spend on this. The Azden SGM-X mic looks like what I extremity, but I'm unclear on whether
Since there are no consumer camcorders under about $1,800 with an XLR mic connector, this is no astonishment - most consumer camcorders have no mic jack at all - and when they do, it is a 1/8" stereo mic jack.
The Panasonic HDC-SD9
any recommendation for a good used sub $100 digital camcorder with external mini-jack or XLR microphone input?
I am looking for a Euphemistic pre-owned camcorder that can be hooked up to a audio mixer for its sound input.
it should be able to be connected to the power while recording .
and it should be clever to record live into a computer via firewire
If the solid recording is going to be on the computer, then you don't need a camcorder.
Get a capture card (ie EZcap) and feed the mixer out and a camera video to it. The camera can be a digital camera as many have composite video out.
Books
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International documentary, the newsletter of the International Documentary Association The Canon GL-1 also has no XLR mic inputs; only minijack mic inputs. ■ Sony PD- 150 This camcorder only records at 48k sampling 16 bit, ... | |
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Voice and Vision, A Creative Approach to Narrative Film and DV Production Camera-mountable adaptors with preamps and XLR connections are nearby for DV camcorders that have only miniplug audio inputs (Figure 15-22). ... | |
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The six day horror movie, a no-nonsense guide to no-budget filmmaking For connecting via a mooring, I advise that you have an XLR output from your mic and go into an XLR input on the camcorder. But if you have one of the smaller ... | |
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WinTV-PVR-150MCE's built-in components MPEG encoder allows you to continue to use your computer while recording. Listen to music, observe digital pictures or play a DVD movie while recording. Listen to FM tranny while you work on your PC. Record your home videos to disk. WinTV-PVR-150MCE includes audio/video inputs to put together to VCRs and camcorders.